Strawberry Fields Forever and Penny Lane
Strawberry Fields Forever and Penny Lane
Studio Two, EMI Studios, London
More overdubs onto take six of "A Day In The Life". Paul re-recorded his vocal track, and also bass, and Ringo's wiped his original drum track in favor of a new and distinctive tom-tom sound. The session took place from 7:00 pm to 1:15 am.
Source: The Complete Beatl...
Studio Two, EMI Studios, London
Overdubbing of Paul's lead and the group's backing vocal onto "Sgt. Pepper's Lonely Hearts Club Band", followed by a reduction mixdown of take nine into take ten, ready for future overdubs. A rough mono mix, for acetate-cutting purposes, was made at the end of the 7:...
Studio Two, EMI Studios
It wasn't going to be Sgt. Pepper's Lonely Hearts Club Band until "Sgt. Pepper's Lonely Hearts Club Band" came along. That is, the album was not "The Sgt. Pepper Project" until the recording of this Paul McCartney song and Paul's realisation soon afterwards that the Beatles...
Knole Park, Sevenoaks
The Beatles returned to Sevenoaks during this afternoon, staying through to the evening and completing in that time the "Strawberry Fields Forever" clip. Among the scenes shot this day was the one where Paul dropped own from a high branch in...
Having decided that their next single would be the double a-side Strawberry Fields Forever and Penny Lane, The Beatles took part in promotional films. Work began on this day in Knole Park in Sevenoaks, Kent.
The films were both produced by Tony Bramwell for Suba...
The Beatles in-between producing songs...........
...1. Georgy Girl - The Seekers
2. Tell It Like It Is - Aaron Neville
3. Snoopy Vs. the Red Baron - The Royal Guardsmen
4. Kind Of A Drag - The Buckinghams
5. I'm A Believer - The Monkees
6. We Ain't Got Nothin' Yet - Blue Magoos
7. Standing In The Shadows ...
The Beatles signed a deal with Hunter Davies, who was planning to write a biography on the band.
...The Beatles' agreement with Parlophone expired according to its terms on June 3, 1966. It was not until January 26, 1967 that a new agreement was concluded, this one for a period of nine years. [Masters recorded between June 3, 1966 and January 26, 1967 were accommodated by a series of letter agreem...
Studio One. EMI Studios, London
A copy of master mono mx RM11 of Penny Lane had been sent to Capitol Records on January 23rd for American pressing. But Paul felt it could be bettered, so three more mono mixes were made between 6:30 and 8:30 this evening, the new master being RM1...
English playwright Joe Orton had been asked by Walter Shenson, producer of the films A Hard Day's Night and Help!, to come up with a script for The Beatles' third film.
Shenson asked Orton to rework a draft script by ...
The Beatles inbetween recording at EMI Studios in London.
...The Beatles were inbetween recording at EMI Studios in London.
...There was no studio session on this day but The Beatles were still working on "A Day In The Life".
Paul attended a party hosted by Julie Felix at a Chelsea art studio.
...
Studio Two, EMI Studios
Reduction mixdowns of "A Day in the Life", vacating tracks for more overdubbing, began this 7:00 pm to 1:10 am session. Take six was marked "best" and so was adorned with another John Lennon lead vocal, Paul's bass and Ringo's drums. Paul's vocal also appeared for the first ...
Studio Two, EMI Studios, London
The start of "A Day in the Life", the song which was to become the stunning finale of the Beatles' next album. The first four takes were recorded in this 7:30 pm to 2:30 am session.
At this stage the Beatles only knew that something would later be taped for the song...
Paul McCartney gave an interview on this day for the Granada Television late-night show Scene Special.
The interview was conducted by producer Jo Durden-Smith, and was recorded in a ground-floor studio at 3 Upper James Street in central Lon...
The Beatles began recording A Day in the Life, with the working title In The Life Of..., on January 19, 1967. Two days previously, however, two stories were published in the Daily Mail newspaper which provided John Lennon with inspiration for the lyrics....
In 1967 English playwright Joe Orton was asked by producer Walter Shenson to write a script for The Beatles' third film.
Shenson, producer of the films A Hard Day's Night and Help!, asked Orton to rework a draft script written by a now...
Paul McCartney and George Harrison watched Donovan performing at the Royal Albert Hall in London on this day.
Donovan was a friend to The Beatles, particularly McCartney. He had been present during the writing of Yellow Submarine and Eleanor Rigby, a...
The Beatles in-between recording at EMI Studios in London.
...The Beatles in-between recording at EMI Studios in London.
...Studio Three, EMI Studios, Abbey Road
This session, which began at 2.30pm and ended at 11pm, saw the second set of session musicians record contributions to Penny Lane, following the January 9, 1967 addition of flutes of trumpets.
On this day seven instruments were ...
On this evening Paul McCartney saw trumpet player David Mason performing Bach's Brandenburg Concerto Number 2 in F Major with the English Chamber Orchestra from Guildford Cathedral, on the the BBC 2 television series Masterworks. Impressed with what ...
Studio Two, EMI Studios, London
Sound effects experiments for "Penny Lane" work with scat harmonies and a hand-bell overdubbed onto take nine during this 7:00 pm to 1:40 am session.
...
The Beatles still in-between recording at EMI Studios in London.
...The Beatles are taking a break from recording at EMI Studios
...Studio Two, EMI Studios, London
Still more overdubbing onto "Penny Lane". Paul on bass, John on rhythm guitar and Ringo on drums. John also overdubbed conga drums. With all four tracks on the tape full again, another reduction mix was made, take seven becoming take eight with two vacant tracks. Ont...
The Beatles worked on two recordings during this session: their next single Penny Lane, and a long-unreleased piece known as Carnival of Light.
The session began at 7pm and finished at 12.15am the following morning. Fir...