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The Beatles - A Day in The Life: July 24, 1969 - 0 Comments
The Beatles - A Day in The Life: July 24, 1969

The Beatles in the recording studio (Studio Two, EMI Studios, London). Paul McCartney records a demo of his song, Come and Get It, which he intends to give to The Iveys. Paul will later produce The Iveys' recording of the song, persuade them to change their name to Badfinger, and arrange for Come and Get It to be selected as the theme song for the movie, "The Magic Christian." Later, The Beatles record Sun King / Mean Mr. Mustard (35 takes). The two songs are recorded as one continuous work. The demo of Come and Get It was released on The Beatles Anthology 3 (Disc two, Track 18). Also on The Beatles Anthology 3 is a jam of Ain't She Sweet, recorded during this day's session (Disc two, Track 19).

The Beatles - A Day in The Life: July 23, 1969 - 0 Comments
The Beatles - A Day in The Life: July 23, 1969

The Beatles in the recording studio (Studios Three and Two, EMI Studios, London). Recording overdubs for Come Together. Paul McCartney records another lead vocal for Oh! Darling. Recording The End (seven takes), which includes Ringo Starr's only drum solo on a Beatles recording.

The Beatles - A Day in The Life: July 22, 1969 - 0 Comments
The Beatles - A Day in The Life: July 22, 1969

The Beatles in the recording studio (Studio Three, EMI Studios, London). Recording overdubs for Come Together. And Paul McCartney records yet another lead vocal for Oh! Darling, still looking for a satisfactory performance.

Overdubs were added to two Abbey Road songs during this 2.30-9.30pm recording session.

The Beatles - A Day in The Life: July 21, 1969 - 0 Comments
The Beatles - A Day in The Life: July 21, 1969

The Beatles in the recording studio (Studios Three and Two, EMI Studios, London). Recording Come Together (8 takes). John Lennon’s stream of consciousness lyrics (part autobiographical, part sexual innuendo) are the song’s highlight. Chillingly, each verse is introduced with Lennon whispering “shoot me.” Engineer, Geoff Emerick, returns to working full-time with The Beatles. He had quit working with them when tensions and tempers ran high during the "White Album" recording sessions. Now Emerick is chief balance engineer at Apple Studios, and when he comes into the Abbey Road studios as a freelance engineer, his old EMI buddies turn a cold shoulder to him. Take 1 of Come Together was released on The Beatles Anthology 3 (Disc two, Track 17).

The Beatles - A Day in The Life: July 20, 1969 - 0 Comments

No recording sessions held today.

The Beatles - A Day in The Life: July 19, 1969 - 0 Comments

No recording sessions were held today.

The Beatles - A Day in The Life: July 18, 1969 - 0 Comments

The Beatles in the recording studio (Studios Three and Two, EMI Studios, London). Recording overdubs for Oh! Darling and Octopus's Garden.

 

The Beatles - A Day in The Life: July 17, 1969 - 0 Comments
The Beatles - A Day in The Life: July 17, 1969

The Beatles in the recording studio (Studios Three and Two, EMI Studios, London). Recording overdubs for Oh! Darling and Octopus's Garden.

The Beatles - A Day in The Life: July 16, 1969 - 0 Comments
The Beatles - A Day in The Life: July 16, 1969

-The Beatles in the recording studio (Studios Three and Two, EMI Studios, London). Recording overdubs for Here Comes the Sun.

The Beatles - A Day in The Life: July 15, 1969 - 0 Comments
The Beatles - A Day in The Life: July 15, 1969

The Beatles in the recording studio (Studios Three and Two, EMI Studios, London). Recording overdubs for You Never Give Me Your Money.

The Beatles - A Day in The Life: July 14, 1969 - 0 Comments

No recording sessions today.

The Beatles - A Day in The Life: July 13, 1969 - 0 Comments

Nothing much happening today.

The Beatles - A Day in The Life: July 12, 1969 - 0 Comments

No recording sessions today.

The Beatles - A Day in The Life: July 11, 1969 - 0 Comments
The Beatles - A Day in The Life: July 11, 1969

Today there was a session from 2:30 to midnight. Overdubs were added to three Abbey Road songs and George Harrison added extra lead guitar to the chouruses. Then he and Paul taped more vocals to "Silver hammer, man".

Then the attention returned to Something, which had been started in May 1969 but left unfinished. On this day Harrison recorded his lead vocals, which he double-tracked in the choruses.

The eight-track tape was now full, so a reduction mix was required to allow for further work on Something. This mix was numbered take 37, and combined the piano and lead guitar onto track one, and both vocal tracks onto track seven. Otherwise the recording was unchanged: drums remained on track two, bass guitar was on five, rhythm guitar was on track six, and Billy Preston's organ part was on eight.

It has been reported that Harrison later re-recorded his lead guitar part during the 15 August orchestral overdub session. However, the take 37 reduction mix made on this day contains Harrison's final solo, recorded on 5 May.

Tracks three and four were left clear for the time being. Harrison re-recorded his vocals later that week, however, rendering this reduction mix unnecessary. Four rough stereo mixes were also made during this session.

The session ended with a bass guitar part added to You Never Give Me Your Money, which was played by Paul McCartney and recorded onto track seven of the tape.

The Beatles - A Day in The Life: July 10, 1969 - 0 Comments
The Beatles - A Day in The Life: July 10, 1969

The Beatles began recording of the Abbey Road song Maxwell's Silver Hammer on this date.

Over a week earlier, John Lennon and Yoko Ono had been in a car crash in Scotland, and this was his first session back after recuperating from the accident. Yoko's injuries were more severe and a huge double-bed was taken to the studio. An ambulance brought Yoko in and she was lowered down onto the bed, with a microphone over her in case she wanted to participate - Martine Benge, the studio technician remarked  'Now we've seen it all, folks!'

Maxwell's Silver Hammer had previously been performed the previous January during the Get Back/Let It Be sessions. Paul McCartney was convinced it was a potential single, but the rest of the group were less enthusiastic.

Aside from a Moog overdub in August, the song was completed in three consecutive sessions in July 1969. On this first day 16 takes of the backing track were recorded, with McCartney on piano and guide vocals, George Harrison playing bass guitar, and Ringo Starr on drums.

 

The Beatles - A Day in The Life: July 9, 1969 - 0 Comments

It's not considered one of the Beatles' most notable tunes. It even came close to making our list of their worst songs. "Maxwell's Silver Hammer" is nonetheless important for other reasons.

On July 9, 1969, they began recording the track with one of the most famous stories in Beatles lore -- and a memorably old-fashioned sound to boot. The Beatles were rock n' rollers, but except for the Kinks, no other major British rock band was as influenced by British music hall as they were. The style -- not dissimilar from American vaudeville -- infused their wit, and several other late-period songs: "Penny Lane," "Honey Pie" and "Your Mother Should Know" owe a debt to the genre.

Those tracks, as with "Maxwell's Silver Hammer," were all written by Paul McCartney, whose perfectionist and domineering ways had alienated the other three members throughout attempts earlier in the year to record the LP that would become Let It Be. The story of this song, in fact, stretches across two albums: A clip of them rehearsing it -- complete with Paul calling out the chords -- is in the documentary from those prior sessions. And while most of the recording for Abbey Road went far more smoothly, the other Beatles were none too happy when McCartney returned to this jaunty little ditty about a man who seduces and kills women.

Source: ultimateclassicrock.com

The Beatles - A Day in The Life: July 8, 1969 - 0 Comments

The Beatles in the recording studio (Studio Two, EMI Studios, London). Recording overdubs for Here Comes the Sun. John Lennon is absent.

 

The Beatles - A Day in The Life: July 7, 1969 - 0 Comments
The Beatles - A Day in The Life: July 7, 1969

US release of the John Lennon / Plastic Ono Band single Give Peace a Chance / Remember Love (Apple). 9 weeks on Billboard chart; highest position #14.

The Beatles were in the recording studio (Studio Two, EMI Studios, London). Recording Here Comes the Sun (13 takes and an overdub). John Lennon is still absent due to his automobile accident in Scotland.

The Beatles - A Day in The Life: July 6, 1969 - 0 Comments

No recording sessions today

The Beatles - A Day in The Life: July 5, 1969 - 0 Comments

Nothing Much happening today

The Beatles - A Day in The Life: July 4, 1969 - 0 Comments

The Beatles in the recording studio (Studio Two, EMI Studios, London). Recording overdubs for Golden Slumbers / Carry That Weight. The Beatles (Paul McCartney, George Harrison, and Ringo Starr) take some time off to listen to the BBC radio broadcast of the ladies' Wimbledon tennis championship. John Lennon has not yet recovered from injuries sustained on July 1 in an auto accident in Scotland.

The Beatles - A Day in The Life: July 3, 1969 - 0 Comments
The Beatles - A Day in The Life: July 3, 1969

The Beatles in the recording studio (Studio Two, EMI Studios, London). Recording overdubs for Golden Slumbers / Carry That Weight. Paul McCartney, George Harrison, and Ringo Starr are in the studio, but John Lennon is still in the hospital in Scotland, recovering from injuries sustained in an auto accident.

The Beatles - A Day in The Life: July 2, 1969 - 0 Comments
The Beatles - A Day in The Life: July 2, 1969

Paul McCartney arrived at the studio to tape Her Majesty. The song had been written in October 1968, and was premiered during the Get Back/Let It Be sessions on 9 and 24 January.

McCartney recorded three takes of the song, the first two of which were incomplete, with just vocals and acoustic guitar. At the end of the third attempt McCartney listened to a playback, and Her Majesty became a contender for the Abbey Road medley.

John Lennon didn't attend this session as he was recuperating from a car crash in Scotland. Once George Harrison and Ringo Starr arrived, however, they began work on Golden Slumbers/Carry That Weight, which at this stage had the working title Golden Slumbers.

The Beatles recorded 15 takes of the backing track, which consisted of Starr's drums, Harrison's bass guitar, and McCartney's piano and lead vocals. The session ended at 8.30pm, and the best of the takes were edited together the following day to create the final backing track.

Three new Abbey Road songs were recorded on this day, although two of those were taped as one.

The Beatles - A Day in The Life: July 1, 1969 - 0 Comments
The Beatles - A Day in The Life: July 1, 1969

While holidaying in Scotland with Yoko Ono, her daughter Kyoko and his son Julian, John Lennon crashed his white British Leyland Austin Maxi car near Durness in the Highlands.

John had rarely been behind the wheel since passing his test in 1965 and he was poor at navigating roads and often failed to notice other traffic. Since the roads were narrow, the weather was poor, John panicked after spotting a foreign tourist driving towards him. He lost control of his Austin Maxi, and drove into a roadside ditch. John, Yoko and Kyoko sustained cuts to the face and Ono's back was injured. They were taken to Golspie's Lawson Memorial Hospital where Lennon was given 17 facial stitches, Ono 14 in her forehead, and Kyoko four.

Julian Lennon was treated for shock but was otherwise unhurt. He was taken to stay with Lennon's Aunt Mater in Durness, around 50 miles away, before his mother Cynthia took him back to London the following day. When she arrived at the hospital to demand an explanation from Lennon he refused to see her.

Lennon remained in hospital for five days. He later told reporters, "If you're going to have a car crash, try to arrange for it to happen in the Highlands. The hospital there was just great." The crashed Austin Maxi was later transported to the couple's Tittenhurst Park estate where it was sited in the gardens.

July 1st was the first official day of recording for what became the Abbey Road album. The crash further delayed his return to London, and after being discharged from hospital he spent three days at home before finally rejoining The Beatles on July 9th.

Yoko Ono suffered worse injuries in the crash than Lennon, and was pregnant at the time. John arranged for Harrods to deliver a double bed to the studio, and had a microphone suspended above it for her to add her thoughts during the sessions that followed.

The Beatles - A Day in The Life: June 30, 1969 - 0 Comments
The Beatles - A Day in The Life: June 30, 1969

John and Yoko vacationing in Scotland....

The Beatles - A Day in The Life: June 29, 1969 - 0 Comments
The Beatles - A Day in The Life: June 29, 1969

John and Yoko drove to Scotland today for a short holiday after visiting Wales. The Beatles were taking a break from the Abbey Road Sessions and this month was for resting and vacations.

The couple left their white Rolls-Royce at home, and instead took their Mini Cooper bringing along six year old Julian Lennon (without Cynthia's permission) and Yoko's daughter, Kyoko Cox who was five.

On the first leg of the journey, to visit his aunts Nanny and Harrie in Liverpool, Lennon realised the Mini was too small to carry the four of them and their luggage. He instructed his chauffeur Les Anthony to bring them a more practical British Leyland Austin Maxi. Anthony then took the Mini back to Weybridge.

They stayed in the small village of Durness, in Sutherland in the Highlands. Lennon had previously enjoyed childhood holidays in the area between the ages of nine and 14, staying at the remote family croft at 56 Sangomore at Sango Bay which he had helped his Uncle Bert to renovate.

Lennon's cousin Stanley Parkes later recalled "John never forgot those times at Durness. They were among his happiest memories. He loved the wilderness. John was nine when he started coming up with my family to the croft in Durness. The croft belonged to my stepfather, Robert Sutherland, and John just loved the wildness and the openness of the place. We went fishing and hunting and John loved going up into the hills to draw or write poetry. John really loved hill walking, shooting and fishing. He used to catch salmon. He would have been quite a laird. In the last letter to me before he was killed he quoted a famous Scottish saying that says 'It's a braw, bricht moonlicht nicht since I last had a word'."

The Beatles - A Day in The Life: June 28, 1969 - 0 Comments
The Beatles - A Day in The Life: June 28, 1969

Nothing going on today except this........

The Beatles - A Day in The Life: June 27, 1969 - 0 Comments

No news today

The Beatles - A Day in The Life: June 26, 1969 - 0 Comments

It was a quiet day.

The Beatles - A Day in The Life: June 25, 1969 - 0 Comments

Nothing much happening on this date.

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