Beatles News
Ringo Starr is known, first and foremost, as a drummer, but he appeared in multiple movies over the course of his career. All of The Beatles picked up some acting experience, but Starr took steps to build a career as an actor. Not all of his movies performed well – even the drummer’s biggest fans should avoid a few of them — but some are worth a watch. Here are four of Starr’s movies worth putting on your to-watch list.Starr’s first movie is also one of his best. In 1964, The Beatles released A Hard Day’s Night, a musical comedy film in which the band played themselves. The film gave Starr a good deal of screen time — he chaperones Paul McCartney’s grandfather and gets arrested.
While director Richard Lester believed George Harrison was the best actor in the film, he also said that Starr had the showiest part in the movie. He has a similarly prominent role in the second Beatles film, Help!, but A Hard Day’s Night is the better movie.
Source: Emma McKee/cheatsheet.com
Ringo Starr doesn’t plan on slowing down anytime soon. In fact, when asked recently if he has any plans for retirement, the former Beatle said: “No. I tell everybody: ‘As long as I can lift a drumstick, we will play.’ And I love to play. I still love to play.” That means new music is on the horizon—three EPs this year alone, including a country project.
Starr and the All-Starr Band’s 2023 fall tour was recently announced following the previous announcement of the band’s 2023 spring tour, which begins May 19 at Pechanga Resort in Temecula, CA. The first show immediately sold out after going on sale.
Last year, the band’s 2022 summer tour was suspended due to band members Winter and Lukather contracting COVID. The shows were pushed back into the fall, when Starr made up the losses six days in a row, one show per day. But after that, the famous drummer tested positive for COVID himself, twice. So additional tour stops needed canceling.
The musician is eager to get back to it.
Source: Kelsey Goeres/cheatsheet.com
Paul McCartney showed The Beatles’ “Yesterday” to Ringo Starr, George Harrison, and John Lennon. They decided the song shouldn’t be a single in the United Kingdom. When it became a single there, it wasn’t as popular as it had been in the United States.
Paul McCartney said Ringo Starr, George Harrison, and John Lennon didn’t want to add anything to his demo for The Beatles’ “Yesterday.” Subsequently, the band decided the song shouldn’t be a single in the United Kingdom. It eventually became a single there 11 years after its release in the United States.In the 1997 book Paul McCartney: Many Years From Now, Paul discussed the way the other Beatles reacted to an early version of “Yesterday” with no string section. “Ringo said, ‘I don’t think I can really drum on that,'” he said. “George said, ‘Well, I’m not sure I can put much on it either.’ And John said, ‘I can’t think of anything, I think you should just do it yourself.'”
Source: Matthew Trzcinski/cheatsheet.com
Spring is in full flush, so Clash has decided to revisit George Harrison’s abiding passion – gardening.
Sure, the Beatles icon’s first passion may have been the guitar, but the free-thinker could take or leave the vagaries of the music industry. Famously the first of the Fab Four to tire of the road and its endless travel, he clearly had an innate urge to put down some roots.
First developing his green finger at Surrey property Kinfauns, George Harrison then saved Friar Park – a spectacular Victorian neo-Gothic Friar Park mansion – from demolition in 1970. Perhaps the main attraction for the guitarist was the 36-acre garden – woefully overgrown, George built a team of 10 gardeners and helped them pull each weed, and plant each carefully chosen fern and flower.
In fact, his autobiography I Me Mine was famously dedicated “to gardeners everywhere”. George Harrison wrote:
I’m really quite simple. I don’t want to be in the business full time, because I’m a gardener. I plant flowers and watch them grow. I don’t go out to clubs. I don’t party. I stay at home and watch the river flow.
Source: ClashMusic/clashmusic.com
A song from The Beatles‘ Magical Mystery Tour was originally two different songs, one by John Lennon and the other by Paul McCartney. Subsequently, a sound engineer who worked on the song was enthralled with it. The tune complements some other Fab Four songs very well.
John gave fans insight into how the song came together. “One half was all mine,” he recalled. “‘How does it feel to be one of the beautiful people, now that you know who you are, da da da da.’ Then Paul comes in with [sings] ‘Baby, you’re a rich man,’ which was a lick he had around.”
Eddie Kramer is a sound engineer who worked on songs by Led Zeppelin, The Rolling Stones, David Bowie, and some tracks from Magical Mastery Tour. During a 2013 interview with Guitar World, Kramer discussed John’s role in creating “Baby, You’re a Rich Man.” He said John added electronic keyboard riffs to the track that sounded like Indian music.
Source: Matthew Trzcinski/cheatsheet.com
The Beatles worked at a non-stop pace during their career. They cranked out albums between tours in their early days. Then they churned out lush, layered, and complex albums when they focused their efforts in the studio. Leaving the road impacted their music for the better. They rarely let any errors slip onto their records, but The Beatles left two mistakes on the Abbey Road song “Her Majesty.”
Most Fab Four fans (OK, probably all of them) wouldn’t mention “Her Majesty” among Abbey Road’s best songs. Perhaps the only notable things about it are that it’s one of the first “hidden” tracks to appear on a rock album and that it’s The Beatles’ shortest song.
It wasn’t supposed to appear on Abbey Road at all. The Paul McCartney song originally sat smack dab in the middle of the Side 2 medley before being removed. You can hear the two mistakes The Beatles left in the song if you listen closely.
The noisy chords and cymbal crash at the beginning of the song were actually the end of “Mean Mr. Mustard.” The single note hanging on at the end was the beginning of “Polythene Pam.”
Paul’s gentle strumming linked the two songs before he instructed engineer John Kurlander to cut “Her Majesty” from the medley. We understand why Macca wanted it removed. The tune doesn’t fit in with the vibe of the rest of the medley. It comes across as a throwaway, so Paul wanted it thrown away.
Source: cheatsheet.com/Jason Rossi
John Lennon said a track from The Beatles’ The White Album has random lyrics that he never wrote down. He said George Harrison and Yoko Ono helped him put the track together in the studio. He compared creating the song to throwing a pair of dice or using the I Ching to predict the future.
John Lennon said a song from The Beatles’ The White Album has “random talking” for lyrics. In addition, it includes snippets of music from Ludwig van Beethoven. Notably, the random qualities of the song are an asset.“You know, but all the words on ‘Revolution 9’ were just random talking,” he said. “There was nothing written down, bits of film script, this and that. I think it was just George, Yoko, and I. I did a lot of it with loops and chopped-up old Beethoven that was lying around EMI or any bits and pieces, stuck them together.”John gave fans more insight into the composition of “Revolution 9.” “And we did songs sort of like priming the canvas … tracks that I didn’t know if they were going to be for [‘Revolution 9’] or not,” he said. “Just where we had the tape on, a bit of echo on, and a cup of tea or something, and George and I just talked for about 20 minutes.”
Source: Matthew Trzcinski/cheatsheet.com
The Beatles rose to unprecedented fame in the 1960s. The band was comprised of Paul McCartney, John Lennon, George Harrison, and Ringo Starr; the former three got together in 1958 and secured Starr as their drummer in 1962. From there, the quartet’s lives changed forever, and they found themselves in the throes of the greatest fame a band has ever known.
The band’s leading songwriters were Lennon and McCartney, who were often both credited on songs regardless of whether it was actually the work of just one of them. And Lennon, who was credited on a major Beatles hit, has come out and said that it was entirely McCartney who took the band in a new direction.
When The Beatles initially formed back in the late 1950s, Lennon and McCartney set themselves apart as the band’s core songwriters (much to George Harrison’s dismay, apparently). And as that fame climb continued, Lennon and McCartney took turns — almost to the point of competition — penning the band’s biggest hits. Ultimately, the two were often credited on each other’s songs even if the other didn’t write it, and that stands true for “Can’t Buy Me Love” — a song that took the Beatles to new levels of fame. 1964 was the year of The Beatles, and that January, McCartney and the gang were staying in Paris when he penned “Can’t Buy Me Love,” which would go on to solidify the band’s icon status and send them even further to the top that same year. And despite having credit on the song, Lennon attributed the whole piece to McCartney — his first time writing a song solo for the group.
Source: Julia Mullaney/cheatsheet.com
The Beatles star George Harrison was a fantastic songwriter, but he was pitted against the genius minds of John Lennon and Paul McCartney.
Bob Dylan once mused that Harrison was almost wasted because of his proximity to his Fab Four bandmates.
He said: "George got stuck with being the Beatle that had to fight to get songs on records because of Lennon and McCartney. Well, who wouldn’t get stuck? If George had had his own group and was writing his own songs back then, he’d have been probably just as big as anybody."
But everything changed in 1963 when Harrison finally penned a song he felt was worth something.
The band's second album, With The Beatles, included the song Don't Bother Me, which was one of Harrison's first songs for the band.
The melancholy song is a classic heartbreaker penned in Harrison's signature style.
And while it is not one of the songs that Beatles fans might pick as their favourite, it was good enough to be included in the album. It also spurred Harrison on to keep writing songs for the band; even if Lennon and McCartney felt they had it covered.
Harrison later recalled: "At least it showed me that all I needed to do was keep on writing, and then maybe eventually I would write something good."
Source: Callum Crumlish/express.co.uk
The Beatles have impacted every generation. Despite being over 60 years old, modern audiences still recognize The Beatles’ music, and many listen to it consistently. However, it’s not exactly music that would get played in the club, as that’s typically pop and dance songs. Still, Paul McCartney said he heard one song by The Beatles at a party, and everyone kept dancing.
“Twist and Shout” is a 1961 song written by Bert Berns and Phil Medley. The Top Notes originally recorded the track but it didn’t become a hit until it was covered by The Isley Brothers in 1962. The Isley Brothers’ version reached No. 17 on the U.S. Billboard Hot 100 and No. 42 on the U.K. Singles chart.
The eccentric dance track skyrocketed in popularity after it was covered by The Beatles in 1963 on their debut album, Please Please Me. It was later released in the U.S. as a single in 1964, where it peaked at No. 2 on the Billboard Hot 100. It failed to reach No. 1 because The Beatles’ own “Can’t Buy Me Love” held that spot.
Source: Ross Tanenbaum/cheatsheet.com
