Beatles News
James McCartney is no stranger to the spotlight thanks to his famous father, but the 45-year-old is rarely seen in public.
Sir Paul McCartney’s lookalike son has been spotted on the streets of London, out and about on a rare outing.
James McCartney – a dead ringer for his Beatles legend dad – was seen on his own in the St John’s Wood neighbourhood, where he was believed to be house-hunting.
The 45-year-old wore dark jeans with a blazer and business shirt when he was seen meeting a woman, believed to be a real estate agent, who let him inside a residence within the leafy London suburb.
James is the only son and youngest child of Sir Paul and his late wife, Linda McCartney. The couple also share three daughters: artist Heather, 60, photographer Mary, 53, and designer Stella, 51.
The Beatles great and Linda were married for almost 30 years before her death in 1998. He went on to marry Heather Mills in 2002 but they split in 2008 after six years of marriage and one daughter: Beatrice, now 19.
Source: Christine Estera/news.com.au
George Harrison‘s The Concert for Bangladesh was a seminal moment in the history of classic rock. John Lennon said it wouldn’t have happened if The Beatles didn’t break up. Subsequently, Yoko Ono contrasted The Concert for Bangladesh with The Beatles’ work.The book Lennon on Lennon: Conversations With John Lennon includes an interview from 1972. In it, John discussed The Concert for Bangladesh. “We wouldn’t have had Bangladesh, which is the most fantastic thing, [if The Beatles had stayed together],” he said. “And they’re blowing that movie up to 70 [millimeter film], apparently. And it’s gonna earn millions and millions for those people. It’s fantastic.
“And George is virtually an ambassador in the world now,” he added. “I think it’s fantastic. And he’s gonna go to India and Bangladesh and see where the money goes. He’s following it through. He’s taken on a great responsibility, and he’s doing it because he’s on his own and he’s found what he wants to do.”
Source: Matthew Trzcinski/cheatsheet.com
Paul McCartney almost called it quits after The Beatles broke up.
The rock legend admitted that when the group disbanded in 1970, he wasn't sure he would be able to embark on a solo career as he feared it would pale in comparison. In a post published on his website on Tuesday, McCartney answered fan-submitted questions about taking risks in his career. He replied, “The main question I had was whether to keep going after The Beatles because it was a hard act—some might say, an impossible act—to follow.” He continued, “The ingredients in the Beatles were so unique. You had John [Lennon] right there, who could have made any group brilliant. Then you had George [Harrison]'s talent, and Ringo [Starr]'s, and then me.”
The singer revealed that after they went their separate ways professionally, “I didn't know what to do with myself, and trying something new was really risky.” He added, “Then, of course, having [McCartney's first wife] Linda [McCartney] in Wings, when she was not a ‘musician,’ was a risk too.
Source: Emily Kirkpatrick/vanityfair.com
Remembering Ringo Starr’s Forgotten Acting Career After the Beatles
“They’re gonna put me in the movies,” Ringo Starr sang on The Ed Sullivan Show as the Beatles covered Buck Owens’ hit “Act Naturally.” The 1965 appearance featured songs from the group’s new film, Help!, director Richard Lester’s send-up of James Bond movies and other elements of spymania, as well as a follow-up to the greatest jukebox movie ever made, A Hard Day’s Night (1964). Both films put the rhythm up front. It was natural.
Prior to the nationally broadcast live performance, Starr prepared the audience by introducing himself as “all nervous and out of tune,” and smiled embarrassedly without missing or slowing a beat through his propulsive country swing. Starr was a natural performer, a locally famous beat-keeper in Liverpool before joining the Beatles, whose rhythm patterns had a character which set him apart from other drummers. His beats had personality. As the song says, he played the parts so well that he barely needed rehearsing for his first foray into a featured scene in a feature film.
Source: Tony Sokol/denofgeek.com
It was in the 1950s that record companies spotted an opportunity to release a new format that occupied a space between singles and long-playing records. Whereas singles were traditionally two tracks, and albums anything from 8 to 12 tracks, EPs (so-named to denoted "extended play") had four tracks. Artists often released these as “bite-sized” album-tasters, and in some cases, they even released all the tracks from an LP on a series of EPs, as they did with The Beatles' Yesterday EP.
Parlophone, The Beatles UK label had released a whole string of EPs by the band starting with “Twist and Shout” in the summer of 1963; it naturally topped the EP chart, a feat equaled by six more of their EP releases and when their Yesterday EP came out on March 4, 1966, it quickly climbed the chart and became their seventh No.1 on March 26, 1966, going on to spend seven weeks at the top of the bestsellers list.
Source:Richard Havers/yahoo.com
Paul McCartney once wrote that “your mother should know.” But it was Elsie Starkey, the mother of Ringo Starr, who was key to the creation of his first studio recording outside of The Beatles. Sentimental Journey, released in the UK on March 27, 1970, was an album of remakes of standards designed to reflect Elsie’s favorite songs. They were the ones that she and the Starkey family would sing around the house and at special gatherings.
Starr began recording of the LP in late October, 1969, while The Beatles were still together. But by the time he finished, the group’s demise was close to being confirmed. The McCartney album followed three weeks after Sentimental Journey and, by the time Let It Be was released in May, The Beatles were effectively no more.
The 12-track Ringo Starr album was produced by the group’s trusted confidant, the much-missed George Martin. But it was constructed with the deliberate approach of using a different arranger on each track.
Source: Paul Sexton/yahoo.com
John Lennon and Paul McCartney met as teenagers, and their decision to work together resulted in The Beatles. They were a part of one of the most influential and enduring bands of all time. After the band split, both also went on to have successful solo careers. If they had never met, though, would their lives have looked the same? According to Beatles producer George Martin, Lennon may have been content to keep his music as a hobby.In 1957, a friend brought McCartney to a village party where Lennon’s band, The Quarrymen, was playing. The band impressed McCartney, but Lennon was the one who clearly stood out to him.
Source: Emma McKee/cheatsheet.com
While many refer to The Beatles as the fab four, producer George Martin was an essential fifth member. He was vital in ensuring every Beatles song and album sounded as good as it did. Martin had a role in every one of The Beatles’ albums. However, there was one album Martin wasn’t thrilled about, even though it’s one of the band’s most popular records.1968’s The White Album is a double album consisting of 30 songs. 19 songs were written during The Beatles’ trip to India for a Transcendental Meditation course. The album came after Sgt. Pepper’s Lonely Hearts Club Band, a concept album where the band worked together closely on the story and concept. The White Album consisted of many different sounds and styles, with each member contributing their own songs to the track listing.
Source: Ross Tanenbaum/cheatsheet.com
It's 1966, and Paul McCartney has penned one of the Beatle's most poignant tracks as the band transition from ruling the world's stages to pushing the boundaries of rock arrangement and recording technology.
Or rather, according to John Lennon in 1980, "It's his first verse, and the rest of the verses are basically mine. But the way he did it was... he knew he'd got the song, so rather than ask me, 'John, do these lyrics' because, by that period, he didn't want to say that to me, okay..."
As Lennon recalls the song's completion in a 1980 Playboy interview, it's clear that while the facts may be in dispute - in 1997 McCartney said "John helped me on a few words but I'd put it down 80–20 to me" - the collaboration between pop's greatest songwriters was already strained, at least as far as John was concerned.
Source: Will Groves/musicradar.com
In 1966, while the Beatles were global superstars, George Harrison stopped playing the guitar.
Then, in the summer of 1968, as abruptly as he’d abandoned the instrument, Harrison recommitted to it.
It was impossible not to notice a transformation not only in Harrison’s songwriting but also in his guitar playing.
Here are ten of his best from the late ‘60s and beyond…
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Source: Christopher Scapelliti/guitarplayer.com
