Beatles News
Dear People Who Hate the Paul McCartney Song “Wonderful Christmastime,”
Hi, it’s me. I’m that person who loves the song “Wonderful Christmastime.” What do I mean by “love,” you ask? I don’t mean I find myself accidentally humming along with it while I’m shopping for sherpa-lined sweatpants or driving to a December root canal. No. I mean I listen to it on purpose. I mean I seek it out.
Because you have not replied to my previous letters, I’m brainstorming my own best-guess reasons for your hatred of this song. Before we begin, please understand that hatred is almost always based on one primal, human emotion: fear.
You might fear the Paul McCartney song “Wonderful Christmastime” because you are afraid of being left out of wonderful Christmastime celebrations. These range from ironic ugly sweater bashes to sincere gingerbread-swap scenarios to glittery how-is-she-not-freezing-in-that-sleeveless-dress galas you’ll remember into your twilight years. The joy of not being alone in December!
There is a word for this fear. You are likely unfamiliar with the word itself, though you have long experienced its gnawing insidiousness. The word is “autophobia,” and it means fear of being left alone. (This is what we had before FOMO, and it’s basically the same thing.)
I, in writing this letter, have refused to leave you alone, and I hope the healing can soon begin.
Source: Andrew Meek/mcsweeneys.net
The Beatles had a unique humor about them. It’s the kind of back-and-forth that only develops between people who spend oodles of time together. That humor was readily apparent throughout their career, but with the holidays approaching, we feel inclined to revisit a rare manifestation of Paul McCartney‘s playfulness: his long-lost Christmas album.
The record was only pressed three times in 1965—once for each of his bandmates. It’s quite a sweet directive from McCartney. He created a radio show of sorts for John Lennon, George Harrison, and Ringo Starr to amuse themselves with over the holidays.
“Once I put together something crazy, something left-field, just for the other Beatles, a fun thing which they could play late in the evening,” he once explained. “It was just something for the mates, basically.”
The record begins with the warbled voice of McCartney introducing the record’s first song, “Unforgettable” by Nat King Cole. He plays presenter, putting on an accent, and hamming it up. The album then launches into Cole’s 1951 classic. Other songs on the track list include Elvis Presley’s “Don’t Be Cruel,” Peter and Gordon’s “Someone Ain’t Right,” and The Beach Boys’ “I Get Around.”
Source: Alex Hopper/americansongwriter.com
The Beatles were in the middle of a tour that had them play five shows in just three days at Japan’s famed Nippon Budokan arena — but when they weren’t performing, they were holed up in the presidential suite of the Tokyo Hilton creating a work of art that came to be known as “Images of a Woman.”
That painting, believed by some experts to be the only artwork jointly made by all four Beatles (or at least signed by all four), will be up for sale at Christie’s auction house in New York on February 1.
“Images of a Woman” is estimated to fetch somewhere in the realm of $400,000 to $600,000 and “crystallizes a magic moment in Beatles history,” said Christie’s specialist Casey Rogers during a phone interview.
“It’s such a rarity to have a work on paper outside of their music catalog that is (a) physical relic, this tangible object with contributions from all four of The Beatles,” she said of the 21.5- by 31-inch painting.
“It’s memorabilia, it’s a work of art, it appeals to probably a much larger cross-section of collectors… It’s a wonderful piece of storytelling.”
Source: Radhika Marya, CNN/yahoo.com
Following his divorce, Paul McCartney was linked to several celebs, and that included Renée Zellweger.
Renée Zellweger and Paul McCartney were spotted together multiple times in 2007, sparking speculation about their romance.
McCartney denied the rumors, stating that they were just friends hanging out in the same group.
McCartney was also linked to Elle Macpherson, but he did not discuss the rumored fling.
Paul McCartney's love life has been a topic of conversation for years now. McCartney went through lots of ups and downs, including a $48 million loss from his second marriage to Heather Mills.
In the following, we're going to take a closer look at lesser known romances, which includes the likes of Renée Zellweger. We'll take a look back at the speculation from 2007, and what both Zellweger and McCartney had to say. We'll also reveal other rumored romances that McCarntney was linked to following his divorce from Heather Mills.
Let's get started.
Source: thethings.com
No one would be foolish enough to turn down songwriting advice from Paul McCartney. The former Beatle has a plethora of hits to his name—both in the band’s discography and his own. He has so many songwriting credits, in fact, that his book The Lyrics: 1956 to the Present (which contains his thoughts on his entire discography) had to be split up into two volumes. While most of the book consists of behind-the-scenes stories from the writing of each of McCartney’s songs, there are also moments of hard-earned wisdom throughout. Find five McCartney tips you need to apply to your own songwriting, below.
1. Being self-taught has its merits
Though The Beatles were a highly revered force, you can’t chalk up their success to formal training. The group was little more than four boys who loved the blues, getting together, and creating their brand of rock magic. According to McCartney, he feels that informality actually helped the group in the long run.
“With the Beatles, we were always operating on the cusp between being conscious of how a ‘refrain’ contributed to a song and basically having no idea what we were doing,” McCartney writes in The Lyrics. “One of the things I always thought was the secret of the Beatles was that our music was self-taught. We weren’t able to read music or write it down, so we just made it up. There’s a certain joy that comes into your stuff if you didn’t [try] to make it happen.”
Source: Alex Hopper/americansongwriter.com
After 55 years, Julian Lennon has made peace with “Hey Jude.”
Julian, 60, recently spoke about the song that Paul McCartney wrote to console him while his parents, John Lennon and Cynthia Lennon (née Powell), went through a divorce. “It was ‘Hey Jules’ at first, but that didn’t quite sit well rhythmically,” Julian told Esquire in an interview published on Monday, December 18. “‘Hey Jude’ was a better interpretation. Paul wrote it to console Mum, and also to console me.”
Julian went on to admit that he doesn’t exactly love hearing the tune anymore despite its connection to his family. “It’s a beautiful sentiment, no question about that, and I’m very thankful — but I’ve also been driven up the wall by it,” he explained. “I love the fact that [Paul] wrote a song about me and for Mum, but depending on what side of the bed one woke up on and where you’re hearing it, it can be a good or a slightly frustrating thing. But in my heart of hearts, there’s not a bad word I could say about it.”
Source: Jason Brow/usmagazine.com
One of the factors that made The Beatles so special was their willingness to do whatever was best for the song. In some cases, that meant putting aside their own instrumental gifts to do so. Case in point: George Harrison’s guitar work.
When The Beatles came hurtling like a benevolent meteor out of Liverpool onto an unsuspecting world, Harrison was barely out of his teens but was already a master craftsman on his instrument. Realizing early that Lennon/McCartney songs didn’t need a lot of embellishment to make them special, he instead concentrated on developing parts that would enhance the overall effect without overwhelming it. Hence, he was more of an expert marksman than a gunslinger with his guitar work with the group.
You can point again and again to instances where a subtle touch added here or there by Harrison made a major difference. Here are five that stand out more than most.
Source: Jim Beviglia/americansongwriter.com
Last month, a British band topped the U.K. charts with its new single, reaching number 2 in America, behind only Taylor Swift; they also landed two albums in Billboard’s Top 20.
That’s a decent showing for a band that broke up 50 years ago.
Yes, ladies and gentlemen, once again, The Beatles are back. The new song, “Now and Then,” and the expanded Red and Blue greatest hits albums join a world that has seen at least three dozen podcasts, a never-ending library of books, the latest a biography of the band’s roadie Mal Evans that runs nearly 600 pages, along with a parade of documentary programs like “McCartney 3,2,1,” and, most notably, Peter Jackson’s revelatory “Get Back.”
Meanwhile, in Ireland, two diehard fans, Steven Cockcroft and Jason Carty, could arguably be described as the Beatles of Beatles podcasters.
After winning the 2018 “Beatle Brain of Ireland” quiz, they launched “Nothing is Real,” their own podcast for all things John, Paul, George and Ringo. Since then, they’ve had three million downloads in the last three years, won PodBible’s 2022 Music Podcast of the Year Award and, Cockcroft says, “inexplicably,” were a No.1 music podcast recommendation in the New York Times this summer.
Source: Stuart Miller/redlandsdailyfacts.com
Despite many believing there to be resentment between John Lennon's sons, Julian Lennon said rumours of a feud between him and half-brother Sean Lennon are "such bull.
Being the sons of John Lennon must come with as many pros as it does cons.
Of course, there's the luxury of life being The Beatles' superstar's offspring. But that comes with the weight of the band's legacy, and the expectation of such a legacy.
Coupled with the fact that Julian Lennon and Sean Lennon lost their father at such a young age, you could understand why the pair's lives might be anything but normal.
The half-siblings also may've had a fractured relationship over the years, given the nature of Julian's upbringing.
Born to John and Cynthia in 1963, Julian was left with just his mother to raise him effectively after John eventually moved on with Yoko Ono.
Source: Thomas Curtis-Horsfall/goldradiouk.com
Paul McCartney said Elvis Presley was different from everyone else on the cover of The Beatles’ ‘Sgt. Pepper’s Lonely Hearts Club Band’. His comments might surprise fans.
Even though Elvis Presley deserved to be there, he’s not on the cover of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band. Paul McCartney explained why this was the case. Interestingly, some of the “Hound Dog” singer’s contemporaries are on the album cover.
The cover of Sgt. Pepper pays tribute to people from all fields, including non-fiction writers, fiction writers, actors, athletes, political leaders, and religious leaders. Surprisingly, only a handful of these figures are musicians. Headshots of 1960s icons Bob Dylan and Dion DiMucci are visible on the record, and a doll wears a shirt reading “Welcome The Rolling Stones Good Guys.” Singer-actors like Shirley Temple, Diana Dors, and Marilyn Monroe are part of the artwork as well. Despite this, the King of Rock ‘n’ Roll is nowhere to be seen.
Source: Matthew Trzcinski/cheatsheet.com
