Beatles News
The deaths of John Lennon and George Harrison are still bitter pills to swallow, Paul McCartney has said, as he marks the release of the “last” Beatles song.
“Now and Then”, released with the help of AI technology from Lord of the Rings director Peter Jackson, arrived on Thursday 2 November to much fanfare. It is the final song from the storied pop band to feature all four original members.
Understandably, the song’s release has been an emotional moment for McCartney and drummer Ringo Starr, the band’s last surviving members.
Speaking to The Times, McCartney admitted that he never thought the band would last, but now he enjoys the idea that each member will live forever, in the memories of fans and in the music they made.
“I like the idea of not letting go of each other,” he said. “You know, when you have somebody you love so much. In many cases it’s a relative, and even though they go, you don’t want to let go — that’s what people say when somebody dies. They’re in your memory, always in your heart. And, yes, that’s certainly true of me and the boys.”
Source: Roisin O'Connor/independent.co.uk
It was a heartwarming trick of editing which left many fans in tears.
In the music video for the Beatles' final song, Now and Then, Sir Paul McCartney and Sir Ringo Starr were seen appearing to perform with John Lennon and George Harrison one last time.
Acclaimed director Peter Jackson - who was entrusted with the band's precious archives to create Disney+ documentary Get Back - cleverly used footage filmed for their 1967 hit Hello, Goodbye to make the scene work.
The Beatles recorded three bits of footage at London's Saville Theatre to promote the track. One - not that which features in Now and Then - then debuted on the Ed Sullivan show in the US in November 1967.
The Now and Then video also shows scenes from footage that was filmed for John Lennon's 1973 song and album Mind Games - after the Beatles had split up acrimoniously.
Among the other archive clips used was a short segment showing Lennon in an electronics shop in Japan in 1979, the Beatles at Twickenham in 1968 and footage of the band performing in Manchester in 1963.
Source: Harry Howard, Jon Brady/dailymail.co.uk
Only 58 when he passed away, George Harrison knew that his time was coming.
In the lead-up to his death, Harrison told his friend and former producer, George Martin, that he "knows that he is going to die soon" and that he accepted it.
George had to keep dealing with cancer that kept on coming back; first a tumour developed in his throat.
The year was 1997 when he learned of the cancerous mass, which he blamed on smoking.
"I got it purely from smoking," Harrison had said at the time. "I gave up cigarettes many years ago, but had started again for a while and then stopped in 1997."
Source:Chanelle Georgina/express.co.uk
The last album the Beatles recorded ended with “The End.” (Unless you count “Her Majesty.”) But the actual end of the band’s official output—at least according to the marketing materials—came on Thursday, when the corporate entity called the Beatles released “Now and Then.” The song, which was written by John Lennon in the late 1970s and demoed on a handheld cassette recorder perched on his piano, was considered for the full-band treatment during the 1995 Beatles Anthology project, when the surviving “Threetles” (Paul McCartney, George Harrison, and Ringo Starr) worked with producer Jeff Lynne of Electric Light Orchestra and Traveling Wilburys fame to finish a few of Lennon’s songs.
Included on the tapes Lennon’s widow, Yoko Ono, had given McCartney were demos of four tracks: “Free As a Bird,” “Real Love,” “Grow Old With Me,” and “Now and Then.” Lennon’s former bandmates recorded the first two but passed on recording “Grow Old With Me,” which had already been released on the posthumous Milk and Honey in 1984. (Starr and McCartney would eventually cover it on Starr’s 2019 solo album, What’s My Name.) After some experimentation, they also rejected “Now and Then,” largely at the behest of Harrison, who thought the quality of Lennon’s demo was insufficient for a full-fledged recording.
Source: Ben Lindbergh/theringer.com
Sir Paul McCartney has said it was 'magical' to be reunited with John Lennon for The Beatles' new and final song Now And Then - as he revealed it was like having the late star in the room again.
Emotional Beatles fans broke down today as they heard the band's 'masterpiece' which was written and sung by Lennon, developed by the late George Harrison and finished by Sir Paul and Sir Ringo Starr decades after the original recording.
Some 43 years after Lennon's death – and more than two decades on from Harrison's passing – The Beatles have come together with the help of AI and audio tech pioneered by Lord of the Rings and Get Back director Sir Peter Jackson.
Now And Then, written and sung by John in 1977, features acoustic and electric guitar played by Harrison in 1995. Sir Paul McCartney completed the bass and Sir Ringo Starr recorded the drums in the last year.
Source: Arthur Parashar, Martin Robinson/dailymail.co.uk
George Harrison's, Pattie Boyd's and Eric Clapton's love-triangle has been called "one of the most mythical romantic entanglements in rock 'n' roll history"
"Something in the way she moves".
The subject of the lyrics from The Beatles' timeless ballad 'Something' was none other than Pattie Boyd, George Harrison's wife. Well, then-wife at the time of the song's release at least.
Evidently, there was something in the way she moved, as the model and photographer was the object of affection and longing admiration from not only one rock star, but two.
The two musicians in question were of course George Harrison, but also his best friend and frequent musical collaborator Eric Clapton.
In fact, Eric reached the point of desperate obsession with Pattie, that he was also inspired to write one of his most beloved and devastating songs about her, 'Layla', performed by Clapton's short-lived blues-rock group Derek and the Dominos.
Source: Thomas Curtis-Horsfall/goldradiouk.com
Infamous Rock journalist and internationally acclaimed interviewer Claude Balzac recently sat down for an in depth conversation with the legend and International treasure, Paul McCartney.
Madhouse Magazine: Hi Paul, thanks for hanging with me today. It is great to see you again.
Paul McCartney: Claude my man, last time I saw you was at my bachelor party. You were trying to talk me out of marrying Heather Mills. Then You gave that toast and you made the one legged joke about her working at IHOP restaurant. You were drunk but you were right on, I should have listened. By the way I love Madhouse. The Beatles used to read Madhouse all the time. The Maharishi used to read it to us out loud during our trip to India. He laughed so hard that milk came out of his nose. I love when you make fun of Yoko.
Madhouse: Good Times, speaking of Heather, did you really steal her fake leg?
McCartney: [laughs] I sure did. Did you know that Heather joined the circus when she was 17 and lost her leg in a monkey tricycle accident? She was a bad woman and stole a lot of my money. As I was leaving the courtroom, I snatched her fake leg and took it on tour with me. I would strum it like a guitar and make jokes. Funny banter like, This one’s Leg it Be, I Saw Her Standing There On One Leg and stuff like that. After the show the band and I drank vodka out of the prosthetic.
Source: Madhouse Magazine/madhousemagazine.com
Giles Martin on Producing the Beatles’ ‘Now and Then,’ Remixing the Red and Blue Albums, and How Technology Is Enabling a Mass Emotional Experience
Of the newly completed 'Now and Then': 'It's not some cynical marketing exercise to try and push catalog sales.… I think Paul just misses John and he wants to work on a song with him.'
Christmas has come early for Beatles fans… who fortunately have been granted a week between gifts, so they don’t have to choose which to unwrap first. There was Thursday’s release, of course, of the newsmaking “Now and Then” single, a track that features the late John Lennon and George Harrison that was recently completed by Paul McCartney and Ringo Starr, with Martin on board as McCartney’s co-producer. Following a week later, only slightly in the new song’s shadow, are new iterations of the “1962-66” and “1967-70” collections that came out in the early ’70s, featuring dozens of tracks newly remixed by Martin to be heard in modern stereo or Dolby Atmos.
Source: Chris Willman/variety.com
e's the music legend adored by fans around the world.
And on Wednesday, Sir Paul McCartney was all smiles as greeted his fans after his arrival in Brisbane for the Queensland leg of his tour after playing two sold-out concerts in Sydney.
The 81-year-old Beatles star appeared in good spirits, waving and flashing the peace sign with his hands and a whole lot of thumbs-ups from his car at fans who hoped to catch a glimpse of the star.
The British rocker was dressed in a blue button-up shirt that he teamed up with a grey jacket.
If the Sydney shows are anything to go by, Brisbane fans can expect a nostalgia-filled setlist including Beatles tunes like Can't Buy Me Love, Got To Get You Into My Life, and Love Me Do.
Source: Matt Demarco/dailymail.co.uk
Giles Martin, who co-produced “Now and Then” with Paul McCartney, talks to TIDAL about how the historic new track came together — and what John Lennon is expressing through it.
“When you’re working on something like this, you can’t think of the scale,” the producer Giles Martin says with equal parts affability and awe in his voice. “If you do, you’d be like a rabbit in headlights and be constrained by what you’re doing.”
When Martin uses the term “scale,” he’s alluding to a project of towering importance and poignancy — a kind of musical fantasy made real for countless rock and pop fans. As we speak, the powers that be at Apple Records and Universal Music, alongside the musical Rushmorian figures of Sir Paul McCartney and Ringo Starr, are gearing up to release what is being considered the last-ever new Beatles song. Ruminated on, rumored about and salivated over for years, the track dubbed “Now and Then,” out Nov. 2, marks the final chapter of a musical legacy that began all those many years ago: a journey from the Cavern Club to The Ed Sullivan Show, down Abbey Road and on to global cultural impact that doesn’t cease.
Source: Rob LeDonne/tidal.com
